“Why don’t you try to remember a time that you felt violated before you read it? That might put you in the right frame of mind and soul for a good reading,” she suggested on the other end of the phone.
I thought back to the countless times that I had been groped, touched by unfamiliar and familiar men (and women, a few times), alike during the past few years. One incident in particular seemed to stick out – two and a half years ago, I was walking down Durant towards downtown Berkeley during my lunch time, talking to my mom on the phone, when a random guy clad in a white T, leisurely riding his bicycle, neared my occupied self and grabbed my right butt cheek! My first reaction was to jump and just say a “WHAT THE FUCK?!” out loud, but then I was quickly silenced because I remembered who was on the line. I was silent and just watched homie bike down the street. My mom, asking me random particulars of my day, and reminding me to go to the grocery store when I got home later that day, noticed my silence, and asked “Meghu, tu kahaan ghum ho gayi, phir se?” I replied “I’m here Mom.” And I just stared at the guy going down, not doing anything or saying anything because I was scared and moreso revolted at his nerve to do such a thing. I knew if I told my mom about what happened, she’d unnecessarily worry, and jet out to Berkeley and be the first one to say, “Kya bathameezi oos ne kiya. Main abhi aathi hoon, dandaa ke saath. Police ko call kar.” She never fails to crack me up. But I didn’t do any of that, I just stared, and came back to work and told my co-worker and good friend Mike, about what had just happened.
Anyway, I digress. I told Reena that putting myself in that frame of mind was a good idea, but the experience of rape is still foreign to me, so I don’t know if I could do it correctly.
“Do you want to try reading it to me?” she asked.
I didn’t hesitate for a second and said “OK!”
I tried reading your poem, A-rod, and I remember how passionately you had delivered it, because it was so personal to you, but I couldn’t do it. I started reading it to Reena over the phone, line flowing into lines, but I choked and then let out a little nervous laugh. It’s funny how laughter is a natural response to dealing, confronting something so immense, so incomprehensible, so deep. I read through the rest of it, the juxtaposition of hate, love, fuck, usurption of something so precious to you…but it wasn’t the same.
I wanted to read it for you, because you’re a close, special friend. But I think only you can convey it as forcefully as you advised it to be conveyed. I’m so happy that you’ve emerged so strong from this experience, and that you are really following your dreams. You inspire and I admire and am so happy that you’re doing the work you’re doing during your six month stint in India.
That evening, two days ago, after that reading to Reena, I thought about it some more and didn’t feel I could do it because, honestly, after the Vipassana meditation course, I don’t think I can be as forceful as the poem requires, as forceful as the experience was for you. Vipassana has made me so soft A-Rod. So so so soo-ft, even moreso than before. I tried to get angry but it wasn’t working. The anger has subsided considerably (not entirely, though), and I just couldn’t work that emotion. C. called right after I was done speaking with Reena, and the conversation again veered to…
“Hey kid, what you up to?” he asks, while in his cab ride back home to SOMA.
“Not much, was just reciting a poem to my friend when you first called, but I don’t think I can do it.”
“Really? What’s it about?” he asks.
“It’s about a friend’s experience with rape. I think I’m in too light of a mood to even think about it right now.” I attempted to deflect.
“Do you want to read it to me?” he asks.
“No not really.” I say.
“You sure? I could give you some constructive criticism.”
“Yea, it’s all good but thanks for offering.”
So I tried to change the subject, asking him how his case was going after all these late nights, how the trial went in Chitown, and even asked if his cabbie let him sit in the front, but he somehow knew it was still on my mind.
The next morning on Gchat, he messages, “Kiddo, how’s the poem coming along?”
“It’s aite.” End of story. But before the real end, a poem I wrote today:
Blurred Lines
when no and yes collide
how do you decide
when to let go
how do you let time abide
by its click clocks to make you stop
when all that it’s making you do is
recall that union of love meeting love
so close to the whispers of a pure dove
how is
when is
holding on to
everything that unsettles
your impermanence
your concept of you
going to place those hands
together again
to make you stop
and
trust?